A list song, also called a laundry list song or a catalog song, is a song based wholly or in part on a list. Unlike topical songs with a narrative and a cast of characters, list songs typically develop by working through a series of information, often comically, articulating their images additively, and sometimes use items of escalating absurdity.
The form as a defining feature of an oral tradition dates back to early classical antiquity, where it played an important part of early hexameter poetry for oral bards like Homer and Hesiod.
In classical opera, the list song has its own genre, the catalogue aria, that was especially popular in Italian opera buffa and comic opera in the latter half of the eighteenth and early nineteenth centuries. Leporello's aria "Madamina, il catalogo è questo" (), also nicknamed The Catalogue Aria, is a prominent example, and often mentioned as a direct antecedent to the 20th-century musical's list song.
The list song is a frequent element of 20th-century popular music and became a Broadway theatre staple. Cole Porter, Irving Berlin, Noël Coward, and Stephen Sondheim are composers and lyricists who have used the form. The very first commercial recording of a Cole Porter tune was his list song "I've a Shooting Box in Scotland" originally from See America First (1913). Berlin followed soon after with the list song "When I Discovered You" from his first complete Broadway score, Watch Your Step (1914).
Porter would frequently return to the list song form. Notable examples include "You're the Top" from the 1934 musical Anything Goes, "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, and "Farming" and "Let's Not Talk About Love", both from Let's Face It! (1942), and both written for Danny Kaye to showcase his ability with tongue-twisting lyrics. In "You're the Top", Porter pays tribute to his colleague Irving Berlin by including the item "You're the top! You're a Berlin ballad."
Irving Berlin would likewise often write songs in the genre; notable examples include "My Beautiful Rhinestone Girl" from Face the Music (1932), a list song that starts off with a sequence of similes, "Outside of That I Love You" from Louisiana Purchase, and "Anything You Can Do (I Can Do Better)" a challenge-duet, and Berlin's starkest antithesis-driven list song, "You Can't Get a Man with a Gun", and "Doin' What Comes Natur'lly", all three from the 1946 musical theatre Annie Get Your Gun.
| + List songs | |||
| Tally Hall | |||
| Sid Lippman, Buddy Kaye and Fred Wise | |||
| Bob Dylan | |||
| Stephen Sondheim and Hugh Wheeler from | |||
| Eric Stefani, performed by No Doubt | |||
| Paul Simon, performed by Simon and Garfunkel | |||
| Billy Bragg, first released in 1991 on The Peel Sessions Album; based on "(Get Your Kicks on) Route 66" by Bobby Troup | |||
| Fluke | |||
| Stephen Sondheim, from the 1971 musical Follies | |||
| Ludacris | |||
| Red Hot Chili Peppers | |||
| Thalia | |||
| Orchestral Manoeuvres in the Dark | |||
| Rie Sheridan Rose, Marc Gunn | |||
| from the musical Hair | |||
| George Strait and Whitey Shafer | |||
| Kid Rock | |||
| from Animaniacs | |||
| from the musical Annie Get Your Gun | |||
| from The Mikado by Gilbert & Sullivan | |||
| Cole Porter, for his 1938 musical You Never Know | |||
| Danny and the Juniors | lists many popular dances of the late 1950s | ||
| Bloodhound Gang | lists many euphemisms for sexual acts | ||
| from the animated 1967 Disney film The Jungle Book | |||
| Carrie Underwood | |||
| Burton Lane and E.Y. Harburg | |||
| traditional Caribbean | |||
| from the musical Hair | |||
| from the 2014 musical with music, lyrics, and a book by Laurence O'Keefe and Kevin Murphy | |||
| The Divine Comedy | |||
| interpolates Vogue by Madonna | listing black cultural icons and Ball culture | ||
| Blur | |||
| Cole Porter from Kiss Me, Kate | |||
| Cole Porter from DuBarry Was a Lady | |||
| The Beach Boys | |||
| Pop Will Eat Itself | |||
| Flight of the Conchords | |||
| with music and lyrics by Cole Porter for his 1950 musical Out of This World | |||
| King Crimson | |||
| music by Richard Rodgers, words by Oscar Hammerstein II, introduced by Juanita Hall and Patrick Adiarte in Flower Drum Song | |||
| Krust / Saul Williams | |||
| I'm from Barcelona | |||
| with lyrics by Alan Jay Lerner for Burton Lane's On a Clear Day You Can See Forever | |||
| The Beatles | |||
| Cole Porter | |||
| from A Funny Thing Happened on the Way to the Forum by Stephen Sondheim | |||
| music by Leonard Bernstein, words by Betty Comden and Adolph Green, introduced by Rosalind Russell in Wonderful Town | |||
| by Stephen Sondheim for the 1971 musical Follies | |||
| from Field Music's 2018 album Open Here | |||
| Puscifer | |||
| Tori Amos | |||
| Bruce McCulloch | |||
| Mylo | |||
| Kacey Musgraves | |||
| John Grant | |||
| Cole Porter from DuBarry Was a Lady | |||
| Neil Diamond | |||
| Noël Coward | |||
| Noël Coward | |||
| The Statler Brothers | |||
| Cole Porter from DuBarry Was a Lady | |||
| Pink Floyd | |||
| Alanis Morissette | |||
| The Nails | |||
| Tom Lehrer | |||
| King Crimson | |||
| A House | |||
| Jay Foreman | |||
| Lemon Demon | |||
| Motion City Soundtrack | |||
| Blur | |||
| Cole Porter from Let's Face It! | |||
| Ian Brown | |||
| from Keith Urban's 2018 album Graffiti U | |||
| Kunt and the Gang | |||
| Paul Simon | |||
| Train | |||
| B-52s | |||
| Bob Dylan | |||
| The Bloodhound Gang | |||
| Cole Porter from DuBarry Was a Lady | |||
| Stephen Sondheim (lyrics) and Leonard Bernstein (music) from West Side Story | |||
| Beyoncé | |||
| Go-Go's | |||
| The Divine Comedy | |||
| John Lennon | |||
| John Lennon | |||
| Combichrist | |||
| Robbie Williams | |||
| traditional | |||
| traditional | |||
| from the musical Hair | |||
| Guy Clark | |||
| "Weird Al" Yankovic | |||
| from the musical Hair | |||
| The Beloved | |||
| George Jones | |||
| Sparks | |||
| Le Tigre | |||
| Burton Lane/Ralph Freed | |||
| Lyrics by Alan Sherman, music is Hungarian Dance No. 5 in F♯ minor written by Johannes Brahms | |||
| Sam Fender | |||
| Ira Gershwin and Vernon Duke | |||
| Tex Ritter | |||
| Cole Porter, first sung in the 1934 musical Anything Goes | |||
| from the musical Hair | |||
| Cardi B | |||
| Sprites | |||
| Dutch hit, 1986 | |||
| Beyoncé | |||
| from the musical Hair | |||
| Mitch Benn | |||
| Stephen Sondheim | |||
| from Adam Gwon's 2008 musical Ordinary Days | |||
| Big Hard Excellent Fish | |||
| Nada Surf | |||
| Bo Burnham | |||
| Imelda Papin | |||
| with lyrics by Ira Gershwin from George Gershwin's opera Porgy and Bess | |||
| from the 2013 musical Bubble Boy with music and lyrics by Cinco Paul | |||
| The Justified Ancients of Mu Mu | |||
| R.E.M. | |||
| Cole Porter from See America First | |||
| Leslie Morrison (original), Geoff Mack (U.S.A. adaptation) | |||
| TISM | |||
| Wire | |||
| The Beach Boys | |||
| Jonathan Larson | |||
| from the 1937 Rodgers and Hart musical Babes in Arms | |||
| Wings | |||
| George Gershwin and Ira Gershwin | |||
| Cole Porter | |||
| Cole Porter from Let's Face It! (1942) | |||
| Stephen Sondheim from A Little Night Music | |||
| Reunion | |||
| William Bolcom, performed by Joan Morris | |||
| Nick Helm | |||
| LCD Soundsystem | |||
| The Divine Comedy | |||
| Bo Burnham | |||
| The Gourds | |||
| Groucho Marx from At The Circus | |||
| "Mad Dogs and Englishmen" | Noël Coward | ||
| Mozart ("The Catalogue Aria" from Don Giovanni) | |||
| Lou Bega and Perez Prado | |||
| R.E.M. | |||
| Richard Rodgers, Lorenz Hart | |||
| John Grant | |||
| M.I.A. | |||
| Shakin' Stevens | |||
| Die Fantastischen Vier | |||
| Insane Clown Posse | |||
| U2 | |||
| Cliff Richard | |||
| music, Jule Styne; lyrics, Stephen Sondheim | |||
| Fishbone | |||
| Robert Allen and Al Stillman | |||
| They Might Be Giants | |||
| The Bloodhound Gang | |||
| Rodgers and Hammerstein | |||
| Richard Rodgers | |||
| music by Kurt Weill and lyrics by Ira Gershwin | |||
| Shirley Ellis | |||
| with lyrics by Yip Harburg and music by Harold Arlen from Jamaica | |||
| Rick Astley | |||
| Bo Burnham | |||
| Dua Lipa | |||
| Manfred Mann's Earth Band | |||
| Calle 13 | |||
| Big Thief | |||
| U2 | |||
| Vincent Daffalong | |||
| Sparks | |||
| Finn Andrews | |||
| from Leonard Bernstein's 1953 musical Wonderful Town | |||
| Rudy Toombs | |||
| "Weird Al" Yankovic | |||
| Barenaked Ladies | |||
| The Sacados | |||
| Paolo Nutini | |||
| The Beatles | |||
| Jim Carroll | |||
| The Bloodhound Gang | |||
| Butthole Surfers | |||
| Sparks | |||
| Cole Porter for the musical Nymph Errant | |||
| Loudon Wainwright III | |||
| Extreme (band) | |||
| Pokémon | |||
| "Weird Al" Yankovic | |||
| Cole Porter | |||
| My Darkest Days featuring Zakk Wylde and Chad Kroeger | |||
| from Walt Disney film Bedknobs and Broomsticks | |||
| Red Hot Chili Peppers | |||
| Five Finger Death Punch | |||
| from the musical On Your Toes (Rodgers and Hart) | |||
| "Raise Up" | Petey Pablo | ||
| Lemon Jelly | |||
| traditional | |||
| Ian Dury & the Blockheads | |||
| Taylor Swift | |||
| Half Man Half Biscuit | |||
| Deftones | |||
| with lyrics by Howard Dietz and music by Arthur Schwartz from Inside U.S.A. | |||
| The Righteous Brothers | |||
| The B-52's | |||
| Bobby Troup | |||
| Bo Burnham | |||
| with music by Kurt Weill and lyrics by Ira Gershwin written for the 1941 Broadway musical Lady in the Dark | |||
| Marc Gunn | |||
| Dorothy Shay | |||
| Midnight Oil | |||
| Limp Bizkit | |||
| Bob Dylan | |||
| Miley Cyrus | |||
| Riders in the Sky | |||
| "Sixteen Reasons" | Bill and Doree Post | #3 hit for Connie Stevens in 1960 | |
| Flanders and Swann | |||
| Passengers (U2 and Brian Eno) | |||
| from the musical Hair | |||
| Tom Waits | |||
| The Beautiful South | |||
| Jefferson Starship | |||
| Prince | |||
| Stars on 45 | |||
| 2ManyDJs | |||
| by Noël Coward from his 1938 musical Operette | |||
| Bob Dylan | |||
| Nigel Pilkington | |||
| Chuck Berry | |||
| with lyrics by Ira Gershwin and music by Kurt Weill | |||
| Daft Punk | |||
| Daft Punk | |||
| The Tubes | |||
| Georg Kreisler | |||
| The Moonglows | |||
| The Notorious B.I.G. | |||
| by Noël Coward from his 1945 musical revue Sigh No More | |||
| Bo Burnham | |||
| Storybots | |||
| Toby Keith | |||
| Dave Dudley | |||
| Richard Rodgers with lyrics by Oscar Hammerstein II | |||
| Eric Maschwitz and Jack Strachey | |||
| Cole Porter | |||
| George Gershwin and Ira Gershwin | |||
| Sufjan Stevens | |||
| FFS | |||
| The Lonely Island and Linkin Park | |||
| David Byrne | |||
| Brian Eno, Brian Turrington | |||
| Dan le sac Vs Scroobius Pip | |||
| with lyrics by Don Black and music by Jule Styne from Bar Mitzvah Boy | |||
| Buddy Kaye and Ted Mossman | |||
| composed by Richard Rodgers with lyrics by Lorenz Hart for the musical A Connecticut Yankee | |||
| Flanders and Swann | |||
| Chuck Berry | |||
| The Pogues | |||
| Half Man Half Biscuit | |||
| Pete Seeger | after King Solomon (Ecclesiastes) | ||
| traditional | |||
| Alanis Morissette | |||
| Lemon Demon | |||
| Boom Bip | |||
| Dave Frishberg | |||
| Todd Snider | |||
| Kraftwerk | |||
| Madonna | |||
| Shakira | |||
| from Animaniacs | |||
| Franz Ferdinand | |||
| Antonio Carlos Jobim | |||
| Bo Burnham | |||
| Faith No More | |||
| Billy Joel | |||
| Fall Out Boy | |||
| Sterling Fox | |||
| Bob Thiele and Weiss | |||
| Cole Porter | |||
| Bo Burnham | |||
| George Jones | |||
| Go-Go's | |||
| from the musical Hair | |||
| by Noël Coward from the 1961 musical Sail Away | |||
| Michel Legrand, Eddy Marnay, Alan and Marilyn Bergman | |||
| from the film Run Lola Run (Thomas D) | |||
| Pearl Jam | |||
| Sam Cooke | |||
| from Animaniacs | |||
| from American Psycho | |||
| from Annie Get Your Gun | |||
| Carole Bayer Sager | |||
| Cole Porter | |||
| Ethel Waters | |||
| Rodgers and Hart |
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